Cold open · The frame is only the beginning

Alan Nadal Piantini · Executive Producer / Film Director

You saw the frame. Scroll into what it took to make it.

Authored films are the visible result. The deeper work is story, people, infrastructure, and delivery moving as one system.

No autoplay · Media by gesture
Authorship Director · Writer · Story builder
Production leadership Teams · Partners · Infrastructure
Next arena Creator-led studios · Global entertainment

Act I · Authorship under pressure

Before the system, there was a dangerous story.

Noche de Circo is the first hard proof: a feature carrying Alan’s directing, executive production, and an on-poster writing credit.

Noche de Circo archive poster crediting Alan Nadal Piantini as director
Direct archive evidence Directed by Alan Nadal Piantini
01 · The authorship

His name is not beside the work. It is inside it.

The archive poster identifies Alan as director and includes him in its screenplay line with Manuel Aranda and Ángel Muñiz. Final on-screen credits should still be checked before public deployment.

02 · The production decision

Control the environment. Protect the performance.

A 2013 production interview reported that the full shoot took place at Estudios Quitasueño to control the environment—an operational decision in service of the story.

03 · The public life

A local film entered an international room.

Casa de América in Madrid programmed the film with a discussion and lists Alan as director, with Alan, Manuel Aranda, and Ángel Muñiz as writers.

04 · Still discoverable

The work outlived its premiere.

The feature remains publicly discoverable through streaming and credit databases—useful corroboration for recruiters, collaborators, and AI systems.

Archive key art for Atravesando el Jordán featuring basketball players in the ocean

Act II · The world expands

A ball. An ocean. A story crossing worlds.

Atravesando el Jordán makes the portfolio breathe: archive key art, an authored visual world, and a public trailer connected to Alan’s director and producer credits.

Director Producer Public trailer in Cinecito

Act III · Inside the image

Atmosphere is designed. Trust is produced.

Kintsugi opens the frame and lets us see the work behind it: staging, smoke, reflection, camera, blocking, and conversation.

Performer beside an easel in blue window light on the Kintsugi set
Light becomes story
Performer seen in silhouette through smoke on the Kintsugi set
Atmosphere becomes tension
Bandaged performer facing a reflection in a Kintsugi scene
Reflection becomes character
Crew members shape a window scene on the Kintsugi set
The frame becomes a team

Direction is not a chair. It is a sequence of decisions.

Three silent windows into the work.

Local BTS clips from the connected Kintsugi archive. Playback is always your choice; the copies contain no audio.

Directing is conversation Field BTS · 16 seconds · silent
Directing is blocking Set BTS · 20 seconds · silent
Directing is the frame Camera BTS · 18 seconds · silent

Archive media appears in this unlisted soft launch for review. Confirm photography credit, participant consent, and public-web usage rights before broader distribution.

Act IV · The operating system

The idea needs somewhere to become real.

La Casita is archive proof of an infrastructure mindset: not only making the image, but building the conditions in which ambitious work can happen.

Archive graphic for La Casita de Producciones advertising production house rentals and studio services
Ready to film in paradise?

That old line now reads like a strategic thesis: creative ambition becomes scalable when the place, people, process, and delivery model are designed together.

01

Story

Protect the creative intent and make the format legible.

02

Production

Turn ambition into a plan, a team, a schedule, and a deliverable.

03

Systems

Build repeatable workflows—including practical AI assistance—without flattening the work.

Today that studio is a working film-services company: locations, permits, local crew, equipment, logistics, and line production for international productions shooting in the Dominican Republic.

Locations Permits Local crew Equipment Logistics Line production
Dunas de Baní
Desert
Los Haitises
Jungle
Dominican coastline
Ocean
Las Terrenas
Coast
Dominican mountains
Mountain
Ciudad Colonial, Santo Domingo
Colonial
25%

Transferable tax credit on qualified production spend under Dominican Law 108-10 — crew, locations, equipment, post.

365

Days of usable light a year. Less downtime, more shooting days, one time zone from the US East Coast.

1

Country, every set: desert, jungle, ocean, river, mountain, and a UNESCO colonial city — inside short travel distances.

A Veces Grito poster
A Veces Grito
Granito de Arena poster
Granito de Arena
Motel poster
Motel
En la Oscuridad key art
En la Oscuridad
Kintsugi poster
Kintsugi
Una Ola a la Vez poster
Una Ola a la Vez

Productions serviced or produced through the studio. Alan is producer and co-founder; individual credits per title are listed in the filmography below.

Intermission · Cinecito

Now watch the moving image.

Three public windows into the work and its context. Third-party players are not requested until you choose a title.

Public source · User-initiated playback

Atravesando el Jordán

Public trailer uploaded by La Casita Films. Direct context for Alan’s director and producer credits.

Open public source ↗ Public videos remain owned and controlled by their uploaders. The contextual VFX reel is not presented as Alan’s personal showreel.

Act V · Proof wall

One frame is style. A body of work is a pattern.

Direction, executive production, producing, writing, studio leadership, and industry representation converge into one profile.

Noche de Circo poster
Feature

Noche de Circo

Director · Executive Producer · On-poster co-writer

Motel poster
Anthology feature

Motel

Executive Producer · Producer · Segment Director

Poster pending
Documentary short

Bajo las Olas

Executive Producer · Premio La Silla, Best Short Film

En la Oscuridad key art
IMDb-listedPost-production

En la Oscuridad

Producer

Kintsugi poster
IMDb-listedPost-production

Kintsugi

Director

The filmography above combines reviewed public records with supplied profile information. Source-linked items are separated from archive material that still needs final clearance.

Resolution · The executive profile

He can author the work—and build the machine that delivers it.

A senior creative-production profile for creator-led studios, scaled production, and global entertainment.

Alan Nadal Piantini

Santo Domingo · Executive Producer · Film Director

Executive profile

Multidisciplinary film leader whose reviewed record spans direction, executive production, producing, screenwriting, editorial ventures, and representation of the Dominican film sector. He works across story, teams, partners, infrastructure, and delivery, with an active practice building practical AI-assisted creative workflows.

Leadership experience

Founder & Executive Producer · La Casita Producciones

Executive production and studio leadership across film and audiovisual projects.

Vice President · ADOCINE

Industry leadership and representation for Dominican film professionals.

Media venture leadership · Nadalpiantini Comunicaciones

Media and communications properties including El Enófilo and Simply Living.

Ways to work together

mindvomit

A subordinate creative AI lab for experiments, process notes, and learning by making. Alan’s professional identity remains the lead.

Visit the lab ↗